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A vision let's say very personal and original of Casanova: weakly charismatic, almost inexpressive, idle, depressed and even suicidal, ... I guess the film evokes a namesake, because even Jean-Claude Dus within Les bronzés font du ski (1979) is definitely more seductive. Except this pathetic and inappropriate non-sense, the costumes and sets are top.
SYNOPSIS: London, 18th century. Casanova, famous for his taste for pleasure and gambling, arrives from Paris, forced into exile. In this city he knows nothing about, the libertine meets on several occasions a young prostitute, Marianne de Charpillon. She attracts him to the point he starts disregarding all other women. The legendary seducer is ready to do anything to get her, but la Charpillon always escapes under various excuses. She challenges Casanova: “You will only have me if you stop desiring me!”
CAST: Rami Malek, Gwilym Lee, Ben Hardy, Joseph Mazzello, Lucy Boynton, Aidan Gillen, Allen Leech, Tom Hollander, Mike Myers, Aaron McCusker, Meneka Das, Ace Bhatti, Priya Blackburn, Max Bennett, Dermot Murphy, Dickie Beau, Jack Roth, Neil Fox-Roberts, Jess Radomska, Michelle Duncan, Ross Green, Bruce Mackinnon, Joshua Higgott, Pat Lally, William Owen, Philip Andrew, Tim Plester, Felipe Bejarano, Kieran Hardcastle, Martin Oelbermann, Ian Gabriel Dumdum, Matt Greenwood, Royce Cronin, James MacLaren, Andrew Bowerman, Drew P., Haf Gibson, Honor Hellon, Rosy Benjamin, Leila Crerar, Katherine Newman, Adam Rauf, Peter Howe, John Ottman, James Wallace, Matthew Houston, Scott Morrison Watson, Devlin Lloyd, Stefan Kopiecki, Garry Summers, Matthew Fredricks, Ian Jareth Williamson, Adam Lazarus, Johanna Thea, Adam Lambert
SYNOPSIS: Singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bass guitarist John Deacon take the music world by storm when they form the rock 'n' roll band Queen in 1970. Hit songs become instant classics. When Mercury's increasingly wild lifestyle starts to spiral out of control, Queen soon faces its greatest challenge yet – finding a way to keep the band together amid the success and excess.
Quite simply the critics are wrong! This is a fitting tribute to the best performer and band of all time.
PRODUCTION: GK Films, Regency Enterprises, Queen Films, Tribeca Productions, New Regency Pictures, 20th Century Fox
Website To Watch Movie The Mule (2018) Cesar de León
PRODUCTION: Imperative Entertainment, Bron Studios, Malpaso Productions, Warner Bros. Pictures, Creative Wealth Media Finance
CAST: Clint Eastwood, Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest, Ignacio Serricchio, Andy García, Taissa Farmiga, Alison Eastwood, Richard Herd, Lobo Sebastian, Manny Montana, Noel Gugliemi, Gustavo Muñoz, Patrick L. Reyes, Cesar de León, Jackie Prucha, Adam Drescher, Christi McClintock, Keith Flippen, Kinsley Isla Dillon, Joe Knezevich, Megan Leahy, Austin Freeman, Victor Rasuk, Robert LaSardo, Saul Huezo, Lee Coc, Eugene Cordero, Felicia Dee, Jessica B. Wellington, Michael H. Cole, Charles Lawlor, Alan Heckner, Mollie Busta, James DeForest Parker, Clifton Collins Jr., Daniel Moncada, Paul Alayo, Travina Springer, Kareem J. Grimes, Caroline Avery Granger, Diego Cataño, Kiana N. Paz, Ashley V. Yanez, Nicole M. Gomez, Dylan Kussman, Grant Roberts, Pete Burris, Loren Dean, Kenny Barr, Jan Hartsell, Javier Vazquez Jr., Derek Russo, Megan Mieduch, Leonard Hennessy, Dayna Beilenson, Tess Malis Kincaid, Antwan Mills, Sparrow Nicole, Almendra Fuentes, Mia Rio, Jill Flint, Monica Mathis, Ashani Roberts, Devon Ogden, Katie Gill, Scott Dale
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Trailer: Official Trailer [HD]
GENRE: Crime, Drama, Thriller
SYNOPSIS: Earl Stone, a man in his 80s, is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he’s just signed on as a drug courier for a Mexican cartel. He does so well that his cargo increases exponentially, and Earl hit the radar of hard-charging DEA agent Colin Bates.
Saw The Mule today. First show of the first day with the Mom who appreciates seeing movies made by her generation. I will give this a solid 8.5 out of 10. First off, its nice to see an older actor playing (and producing and directing of course) an older person from (their own) generation and era. No Hollywood play ups (with PC actors acting parts that would have never been filled by someone other than who it would have been in real life!) or PC. If you liked Gran Torino, you will like this one too. Written about a World War 2 gen and his life as a Drug Mule in the Modern World. Young people who are not familiar with this generation, because they are so far removed from it, probably will not understand the sociology of the greatest generation. This would be their great great grand fathers. So probably good idea to (have them) watch movies about this generation before seeing this one. Like I said, youngsters are too far removed to understand the way of the older generation. What makes this movie good is based on a true story, with some human events sprinkled through to add texture and dimension to the character. Older folks will appreciate seeing someone their own age, doing something daring, and illegal, rather than watching some youngster. Good adult entertainment and examination of society and what folks will do if they are driven to do something or given the chance to do something they would have never done, read the NY times article on the guy this is based on. Take your grandparent.....This is classic modern Eastwood.
CAST: Rory Culkin, Emory Cohen, Jack Kilmer, Sky Ferreira, Valter Skarsgård, Anthony De La Torre, Sam Coleman, Jonathan Barnwell, Wilson Gonzalez Ochsenknecht, Lucian Charles Collier, Anette Martinsen, Adrian Mills, James Edwin, Andrew Lavelle
Authenticity is perhaps the most important currency in music. Bands who can legitimately say "it's all about the music" and actually back that claim up are automatically head and shoulders above their less authentic rivals, who may sing a good game, but who live a very different life. Think of how fake Guns N' Roses made the glam metal bands of the 80s look. Think of how pampered Nirvana made Guns N' Roses look only a few years later. With this in mind, Lords of Chaos looks at late 80s/early 90s Norwegian black metal, and asks, "was its extreme image authentic or manufactured". Adapted from Michael Moynihan and Didrik Søderlind's 1998 book, written for the screen by Dennis Magnusson and Jonas Åkerlund, and directed by Åkerlund, the film depicts black metallers as fostering an image of a cult-like group of militant anti-establishment Satanists who practised human sacrifices, championed suicide, and advocated anti-Christian violence. Behind the scenes, however, most of its adherents knew such declarations were simply marketing, not to be taken literally. Lords of Chaos is about what happened when some black metallers took them very literally, leading to suicide, arson, and murder. Equal parts darkly funny and unflinchingly disturbing, Åkerlund's film never takes the scene as seriously as it takes itself, and, depending on your perspective, that's either its greatest strength or its most egregious failing. Oslo, 1987; it is three years since Øystein "Euronymous" Aarseth (an excellent Rory Culkin) established his band, Mayhem, determined to create a new subgenre of "true Norwegian black metal". The band has met with little success thus far, but that changes when they hire Pelle "Dead" Ohlin (a superb Jack Kilmer) as lead singer. Showing self-destructive tendencies from the start, as time passes, his behaviour becomes more erratic (cutting himself at gigs and spraying blood into the crowd, sniffing from a bag containing a dead bird before performances), ultimately resulting in his suicide. Meanwhile, Euronymous meets awkward fan Kristian "Varg" Vikernes (a very creepy Emory Cohen), on whom he initially looks down, but who he soon welcomes into the fold. However, as time goes on, and Varg becomes more and more extreme, a dangerous power struggle between himself and Euronymous slowly develops. An extreme offshoot of thrash metal and death metal, black metal was generally derided by the mainstream and criticised for its misogyny, racism, homophobia, and glamorisation of suicide. It was also seen as both anti-semitic and anti-Christian, and a number of practitioners have been accused of neo-Nazism and hate speech. Often wearing "corpse paint" and flaunting Satanic iconography, musical integrity was paramount, and to remain a true black metaller, one couldn't court mainstream success. One of the film's most salient aspects is that black metal wasn't simply a genre of music; it was a way of life. However, Åkerlund (himself a co-founder of black metal band Bathory) isn't especially interested in valorising the movement, with the majority of the film designed to chip away at the image of black metallers as evil incarnate. In this sense, the story is primarily about image and marketing. Euronymous isn't an especially gifted musician, but he is an astute businessman, particularly when it comes to selling himself, knowing exactly how to cultivate the reputation he wants - a picture of a corpse here, some "evil" lyrics there, and soon the mainstream is in a frenzy and doing his work for him. Proto-outrage culture, if you will. Whereas some of the others saw evil in a literal sense, he saw it in terms of branding. Nowhere is this clearer than when he finds Dead's body, taking pictures which he would subsequently use as an album cover to bolster the band's reputation as extreme. It's in relation to the manufactured nature of black metal's evil that much of the film's ironic humour is to be found. Euronymous and Dead's answering machine message is a growled, "we can't come to the phone right now because we're too busy sacrificing children". Describing their style, Euronymous proudly declares, "when people hear our music, we want them to commit suicide." Later on, he admits, "all this evil and dark crap was supposed to be fun." One member of Mayhem is shown riding a pushbike. Euronymous has to borrow his parents' car to get anywhere (it's difficult to be taken seriously as a purveyor of terror when you're in your dad's Volvo). An impassioned speech about the nature of black metal is interrupted by someone being told their kebab is ready. Euronymous complains of Christianity, "they're oppressing us with their kindness and their goodness". And in easily the funniest scene in the film, as Euronymous and Varg wait outside a recording studio, a group of elderly women emerge, with Euronymous running up to them and growling, "Hail Satan!" Where the film treats its subjects more seriously is in relation to things such as Dead's depression, which ultimately results in his suicide, and the misogyny of virtually every member of the movement (it's telling that the first time we see Varg exert authority, it's in a scene where he forcefully tells (fictional) groupie Ann-Marit (Sky Ferreira) to take off her clothes). In relation to Dead, when he cuts himself on stage for the first time, the camera shows us he is utterly unmoved, suggesting he doesn't even feel the pain anymore (when he is first introduced, there is a shot showing scars up and down both arms). As he sprays blood on the crowd, the camera pans over to Euronymous, whose face betrays a mixture of horror and jealousy - he knows, even at this early stage, that he could never be that extreme. From an aesthetic point of view, the film features three notable scenes; two murders and one suicide. All three scenes are long, shot matter-of-factly by cinematographer Pär M. Ekberg, and sparsely edited by Rickard Krantz. The two murders feature repeated stabbings that seem to go on forever, but it's the suicide that really got under my skin. I'm not sure if it's the length of time it takes (Dead slowly slits one wrist, then the other, he waits a bit, then cuts his own throat, waits a bit more, and then shoots himself in the forehead), if it was Mattias Eklund's sound design wherein we can literally hear the knife tear the flesh, if it was the lack of cutaways, or if it was the close-ups of the wounds, but I found the scene harrowing. Brilliantly done, but harrowing. Another aesthetic element worth mentioning is that the actors all speak in English with their own accents (think Sean Connery in The Hunt for Red October (1990)). Personally, I find this far less distracting than everyone speaking English but with Scandinavian inflexions - why would Norwegians be speaking English to one another in Norwegian accents? It's a little jarring at first, but you quickly acclimate yourself to it, and it ultimately proves far less distracting than an actor with a God-awful accent. In terms of problems, some will take issue with how ironically the film approaches the material. The repeated shots of band members leaving their parents' homes does seem to betray something of a judgemental jokey disdain. Additionally, the film never tries to convey just what drove these young men to make this kind of music in the first place, or why these poorly recorded ultra-depressing songs garnered such a fanatical following. It wouldn't have taken a huge amount to address this, and the absence of any material which speaks to where the black metal ideology came from leaves a sizeable lacuna. A knock-on from this is that the film downplays the movement's more horrifying activities; suggestions that they were just dumb kids who let things get out of hand provides an excuse that isn't justified, and undercuts the severity of what some of them did. The film also avoids the racism and homophobia in the movement. In one respect, Lords of Chaos is an act of de-mythologizing, attempting to show that this frightening group of Satan-worshipping church burners and murderers were really just middle-class kids with a case of ennui. On the other hand, it illustrates that what had started out innocently led to some serious real-world ramifications. Euronymous is depicted as a wannabe cult leader, but one who doesn't subscribe to his own ideology of violence and rebellion, and is completely at a loss how to put the genie back in the box when certain members take his words literally. Lords of Chaos is his story before it is the story of black metal, and this is a vital point. Unafraid to show that the movement was built on a flimsy hodgepodge of paganism, Satanism, and Nazism, Åkerlund suggests the underpinning ideology is convoluted nonsense. For adherents, this will prove offensive. For everybody else, the ironic humour, harrowing violence, and thematic nihilism gel to form a fascinating film that's well worth checking out.
SYNOPSIS: April 26, 1986, Ukrainian SSR. Plant workers and firefighters put their lives on the line to control a catastrophic 1986 explosion at a Soviet nuclear power plant.
CAST: Jared Harris, Stellan Skarsgård, Emily Watson, Paul Ritter, Jessie Buckley, Adam Nagaitis, David Dencik, Con O'Neill, Adrian Rawlins, Sam Troughton, Robert Emms, Mark Lewis Jones, Alan Williams, Alex Ferns, Ralph Ineson, Barry Keoghan, Fares Fares, Michael McElhatton, Paulius Markevičius, Sam Strike, Sammy Hayman, Nadia Clifford, Matas Dirgincius, Caolan Byrne, Stephen Bisland, Alex Blake, Ron Cook, Donald Sumpter, Gerard Kearns, Povilas Jatkevicius, Douggie McMeekin, Laura Elphinstone, Michael Socha, Jan Ricica, Jamie Sives, Adam Lundgren, Karl Davies, Jay Simpson, Billy Postlethwaite, Ross Armstrong, Joshua Leese, Karolis Kasperavičius
A vision let`s say very personal and original of Casanova: weakly charismatic, almost inexpressive, idle, depressed and even suicidal, ... I guess the film evokes a namesake, because even Jean-Claude Dus within Les bronzés font du ski (Patrice Leconte, 1979) is definitely more seductive. Except this pathetic and inappropriate non-sense, the costumes and sets are top.
SYNOPSIS: London, 18th century. Casanova, famous for his taste for pleasure and gambling, arrives from Paris, forced into exile. In this city he knows nothing about, the libertine meets on several occasions a young prostitute, Marianne de Charpillon. She attracts him to the point he starts disregarding all other women. The legendary seducer is ready to do anything to get her, but la Charpillon always escapes under various excuses. She challenges Casanova: “You will only have me if you stop desiring me!”
I have read some negative reviews and the first question that comes to mind is `have you ever loved an addict?` As someone whose husband is an addict, this story could not be more real. Some of the lines I`ve heard verbatim, and watching the parents go through the trauma rang true of my inlaws also. So many lines from the addict though, and particularly the times he went missing, rang so true for me. One review in the New York Times said it `glossed over the reality`. No, it showed that ice/meth addiction can hit any family. It can certainly hit a middle/upper class family and the torment of not knowing how to help is so true. After watching the film I read the book and was again moved by the reality it presented If you know and love an addict, I recommend this film. Addiction is such an epidemic so I recommend it for all, but for those of us who love an addict there is a certain cathartic nature to the film that perhaps exists mostly if you`ve walked it.
Trailer: Beautiful Boy - Official Trailer 2 | Amazon Studios [HD]
SYNOPSIS: After he and his first wife separate, journalist David Sheff struggles to help their teenage son, who goes from experimenting with drugs to becoming devastatingly addicted to methamphetamine.
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CAST: Steve Carell, Timothée Chalamet, Maura Tierney, Amy Ryan, Christian Convery, Oakley Bull, Kaitlyn Dever, Stefanie Scott, Julian Works, Jack Dylan Grazer, Zachary Rifkin, Kue Lawrence, Timothy Hutton, Amy Forsyth, Andre Royo, Mandeiya Flory, Ricky Low, LisaGay Hamilton, Carlton Wilborn
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CAST: Lorenzo Ferro, Chino Darín, Mercedes Morán, Daniel Fanego, Luis Gnecco, Peter Lanzani, Cecilia Roth, Malena Villa, William Prociuk, Marcelo D`Andrea
SYNOPSIS: Buenos Aires, Argentina, 1971. Carlos Robledo Puch is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón, they follow together a dark path of crime and death.
I went last night to see this Argentinian-Spanish film, produced by Pedro Almodovar and directed by Luis Ortega. The script lacks a lot of explanations and some characters are not well defined. The acting is good and Lorenzo Ferro and Darin Jr. are gorgeos. The cinematography is well done and the music good, but very loud. Most of the characters are shown smoking in almost every scen, which is very illogical and a bit annoying. Don`t expect much, because is not a woderful film.
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SYNOPSIS: Barents Sea, August 12th, 2000. During a Russian naval exercise, and after suffering a serious accident, the K-141 Kursk submarine sinks with 118 crew members on board. While the few sailors who are still alive barely manage to survive, their families push for accurate information and a British officer struggles to obtain from the Russian government a permit to attempt a rescue before it is late. But general incompetence are against all their efforts.
CAST: Matthias Schoenaerts, Léa Seydoux, Peter Simonischek, August Diehl, Max von Sydow, Colin Firth, Bjarne Henriksen, Magnus Millang, Artemiy Spiridonov, Joel Basman, Pit Bukowski, Matthias Schweighöfer, Tom Hudson, Chris Pascal, Kristof Coenen, Pernilla August, Helene Reingaard Neumann, Martin Brambach, Peter Plaugborg, Guillaume Kerbusch, Koen De Sutter, Gustaf Hammarsten, Aske Bang, Lars Brygmann, Martin Greis-Roshental, Steven Waddington, John Hollingworth, Katrine Greis-Rosenthal, Josse De Pauw, Feđa Štukan, Jehon Gorani, Miglen Mirtchev, Mark Irons, Zlatko Burić, Eva van der Gucht, Geoffrey Newland, Danny van Meenen, Guido De Craene, Marjan De Schutter, Gabriela Cotet, Olga Markina, David Russell, Michael Nyqvist
First hunter killer and now this. Well this one was mostly based on rescuing a crew stuck in a submarine. Two different story line but it has submarines and we don`t see a lot of submarine movies. I like the story. The cast did a good job. Honestly i thought the survivors would make it. This just shows how much drama takes place behind the scene when carrying an operation like this. Sad it lead this ending. If you are wondering if this is worth your time. I would say yes. It is a great movie and it won`t disappoint.
